By David Kidger
This key textual content could be the first full-length learn instrument on Adrian Willaert, the Renaissance composer of motets and madrigals who got here to prominence within the first a part of the 16th century, and will end up priceless to researchers and scholars.
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Additional resources for Adrian Willaert: A Guide to Research (Routledge Musical Bibliographies)
V, Adriano Madonna mia famme bon’offerta [no. 6], p. VI, Adriano Se mille volte [no. 7], p. VII, Fran. Silvestrino O dio si vede chiaro cha per te moro [no. 8], p. VIII, Fran. Silvestrino Un giorno mi prego una vedovella [no. 9], p. IX, Adriano Sources of Willaert’s Music 31 Si come bella sei [no. 10], p. X, Fran. Silvestrino A quand’a quand’havea [no. 11], p. XI, Adriano O bene mio famm’uno favore [no. 12], p. XII, Adriano Madonn’io t’heggi’ amato [no. 13], p. XIII, Fran. Corteccia Madonna mia io son un poverello [no.
Vienna. Österreichische Nationalbibliothek, Musiksammlung. (S, A, T, B). Revised second edition of W1108 (1539) N024: no. 76, pp. 494–498. Pater noster ii Ave Maria [no. 1], pp. I–II Congratulamini mihi omnes ii Beatam me dicent omnes generationes [no. 2], pp. III–IIII Parens tonantis maximi regina [no. 3], p. V Usquequo Domine oblivisceris me ii Illumina oculos meos [no. 4], p. VI Magnum hereditatis misterium [no. 5], p. VIII Ave regina coelorum mater regis [no. 6], p. IX Spiritus meus attenuabitur ii Libera me Domine et pone me [no.
6, Finot [for odd-numbered verse, see tenor primus, no. 4] Quarti toni 48 Adrian Willaert Laudate pueri [no. 5], p. 7, Iachet [for odd-numbered verse, see tenor primus, no. 5] Quarti toni In exitu israel [no. 6], p. 8, Adriano [for odd-numbered verse, see tenor primus, no. 6] Laudate dominum omnes gentes [no. 7], p. 10, Adriano [for odd-numbered verse, see tenor primus, no. 7] Sexti toni Dixit dominus [no. 8], p. 11, Finot [for odd-numbered verse, see tenor primus, no. 8] Primi toni De profundis [no.