By Fyodor Dostoyevsky
Translation and notes by means of Alan Myers
Introduction via W. J. Leatherbarrow
In those tales, Dostoevsky explores either the determine of the dreamer divorced from fact, and in addition his personal ambiguous perspective towards utopianism, subject matters important to his nice novels. In White Nights, the plain idyll of the dreamer's romantic fantasies disguises profound loneliness and estrangement from "living life." a steady Creature and The Dream of a ludicrous guy convey how withdrawal from fact can lead to non secular desolation in addition to ethical indifference, and the way, in Dostoevsky's view, the tragedy of the alienated person can in simple terms be resolved via the rediscovery of a feeling of compassion and accountability towards different people.
No different version brings jointly those particular stories--which are finest while learn along one another--and the recent translations catch the entire energy and lyricism of Dostoevsky's writing at its best.
About the sequence: For over a hundred years Oxford World's Classics has made on hand the broadest spectrum of literature from worldwide. every one reasonable quantity displays Oxford's dedication to scholarship, offering the main exact textual content plus a wealth of different helpful positive factors, together with professional introductions by means of major specialists, voluminous notes to elucidate the textual content, up to date bibliographies for extra examine, and masses extra.
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Extra info for A Gentle Creature and Other Stories: White Nights; A Gentle Creature; The Dream of a Ridiculous Man (Oxford World's Classics)
All the world says: yes, that is written in the books, but now let us see for ourselves. The most celebrated truths are tapped on the shoulder. What never was doubted is doubted now. And thereby a wind has arisen which blows up the Introduction I 33 gold-brocaded cloaks of pri nces a n d pre l ates, so t h a t fat or s k i n ny legs are seen beneath, legs l i ke our legs . The skies, i t h a s turned out, a r e empty. M e n l augh merri ly at that. But the water of the earth dri ves the new di staffs, and five h u n dred hands are busy in the rope and sail shops at the dockyards making a New Order.
My particular science is on the threshold of important discoveries. ( He throws a manuscript on the table. ) Here are my findings on the laws of falling bodies . That should be worth two hundred scud i . CURA TOR : I am sure that any paper o f yours is o f infinite worth, Mr. Galilei . . GA L I L E O : I was limiting it to two hundred scudi. C U R A T O R ( cool ) : Mr. Galilei, if you �ant money and leisure, go to Florence . I have no doubt Prince Cosimo de' Medici will be glad to subsidize you, but eventuall y you will be forbidden to think-in the name of the Inquisition.
I am beginning to understand science. V I RG I N IA ( to L UDOVICO : GAL I L E O is surrounded. Isn't father a great man? Yes. VIRGINIA : Isn't that new thing father made pretty? L u oovlco : Yes , a pretty red . Where I saw it first it was covered in green. VIRGINIA : What was? L UDOVICO : Never mind. (A short pause. ) Have you ever been to Holland? VIRGI N I A : L U DOVIC O : They go. A ll Venice is congratulating wants to go home. G A L I L EO, who SCENE 3 January ten, sixteen ten: Galileo Galilei abolishes heaven.